Ceinwen Berry
Film Editor by profession
Briefly
I have a 17+ year career in film editing. I hold a Masters in Drama Editing from AFTRS and a BA in Cinema Studies and Cultural Studies from the University of Melbourne.
I have a 17+ year career in film editing. I hold a Masters in Drama Editing from AFTRS and a BA in Cinema Studies and Cultural Studies from the University of Melbourne.
Some Work
Some Work
Feature films, documentary, series television, art, commercials, and short films.
Feature films, documentary, series television, art, commercials, and short films.
Longform
Adoration
Feature film, Australian-French co-production
2013
Credits
Adoration
Feature film, Australian-French co-production
2013
Credits
Cast From the Storm
Feature Documentary
2024
Credits
Cast From the Storm
Feature Documentary
2024
Credits
The Convert, Making of Featurette
Feature Film, Australian-New Zealand co-production
2024
Credits
The Convert, Making of Featurette
Feature Film, Australian-New Zealand co-production
2024
Credits
Tomorrow When The War Began
Feature Film
2010
Credits
Tomorrow When The War Began
Feature Film
2010
Credits
Drift
Feature Film
2012
Credits
Drift
Feature Film
2012
Credits
Why Anzac
Feature Documentary, Australian-New Zealand co-production
2015
Credits
Why Anzac
Feature Documentary, Australian-New Zealand co-production
2015
Credits
White Rabbit Project
Netflix Original Series
2016
Credits
White Rabbit Project
Netflix Original Series
2016
Credits
Fox Sports Profiles - Josh Gibson
Documentary
2015
Credits
Fox Sports Profiles - Josh Gibson
Documentary
2015
Credits
The Waiting City
Feature Film
2008
Credits
The Waiting City
Feature Film
2008
Credits
Shortform
Erotic Readings, Vyrao
Brand Film to launch the new fragrance Ludatrix by Vyrao
2025
Credits
Erotic Readings, Vyrao
Brand Film to launch the new fragrance Ludatrix by Vyrao
2025
Credits
Sit With Me
4 channel video and sound projection, made in collaboration with Flack Studio, Melbourne Design Week, NGV.
2023
Credits
Sit With Me
4 channel video and sound projection, made in collaboration with Flack Studio, Melbourne Design Week, NGV.
2023
Credits
Ode To Mark
Celebrating the late Mark Robinson's unique design vision for the 2023 Australian Design Review IDEA Awards.
2023
Credits
Ode To Mark
Celebrating the late Mark Robinson's unique design vision for the 2023 Australian Design Review IDEA Awards.
2023
Credits
Machine
Short Film, Brand Spot
2011
Credits
Machine
Short Film, Brand Spot
2011
Credits
Paradise
Short Drama
2007
Credits
Paradise
Short Drama
2007
Credits
The Telgram Man
Short Film
2008
Credits
The Telgram Man
Short Film
2008
Credits
Commercial
I Am Family
I AM Campaign - TVC
2015
Credits
I Am Family
I AM Campaign - TVC
2015
Credits
I Am Grateful
I AM Campaign - TVC
2015
Credits
I Am Grateful
I AM Campaign - TVC
2015
Credits
I Am Fearless
I AM Campaign - TVC
2015
Credits
I Am Fearless
I AM Campaign - TVC
2015
Credits
Ode To Hands
TVC Campaign
2015
Credits
Ode To Hands
TVC Campaign
2015
Credits
No More Excuses
Valentine's Day Campaign
2017
Credits
No More Excuses
Valentine's Day Campaign
2017
Credits
A brief bio of me
A brief bio of me
Ceinwen Berry
Ceinwen Berry
I have a 17+ year career in film editing. I hold a Masters in Drama Editing from the Australian Film, Television and Radio School (AFTRS) and a BA in Cinema Studies and Cultural Studies from the University of Melbourne.
I have a 17+ year career in film editing. I hold a Masters in Drama Editing from the Australian Film, Television and Radio School (AFTRS) and a BA in Cinema Studies and Cultural Studies from the University of Melbourne.
I have been mentored by a number of notable filmmakers including editors Marcus D'Arcy (Boy Swallows Universe, Babe Pig in the City), Veronika Jenet ASE (The Piano, Rabbit Proof Fence) and producer Andrew Mason (The Water Diviner, The Matrix, Boy Swallows Universe).
I have been mentored by a number of notable filmmakers including editors Marcus D'Arcy (Boy Swallows Universe, Babe Pig in the City), Veronika Jenet ASE (The Piano, Rabbit Proof Fence) and producer Andrew Mason (The Water Diviner, The Matrix, Boy Swallows Universe).
I have extensive experience in feature film post production and have worked across most formats including features, documentaries, series television, commercials and video art. I cut what I can, when I can, but I’m always driven by story.
I have extensive experience in feature film post production and have worked across most formats including features, documentaries, series television, commercials and video art. I cut what I can, when I can, but I’m always driven by story.
Now a mother of two children, I still maintain my editing practice but have shifted focus to include writing and more collaborative visual work.
Now a mother of two children, I still maintain my editing practice but have shifted focus to include writing and more collaborative visual work.
RECENT HIGHLIGHTS
RECENT HIGHLIGHTS
In 2025, I was consultant editor to video artist Angelia Tiatia for her video work The Matildas, commissioned by the National Portrait Gallery, Canberra.
In 2025, I was consultant editor to video artist Angelia Tiatia for her video work The Matildas, commissioned by the National Portrait Gallery, Canberra.
In 2018, I curated the film program for TEDX Sydney.
In 2023, I collaborated with Flack Studio and Cinematographer David Rusanow to realise a 4 channel sound and video projection for Melbourne Design Week, National Gallery Victoria.
In 2023, I collaborated with Flack Studio and Cinematographer David Rusanow to realise a 4 channel sound and video projection for Melbourne Design Week, National Gallery Victoria.
In 2019, I curated the film program for TEDX Sydney.
In 2019, I curated the film program for TEDX Sydney.
In 2018, I curated the film program for TEDX Sydney.
Contact me by email
I pay respects to the Gadigal, Bidiagal, and Birrabirragal people of the Eora Nation, traditional custodians of the land on which which I work and live. I'm proud to be among these people, part of the oldest continuous communities in the world.
© Ceinwen Berry 2026. All Rights Reserved. Built by Winston.
Contact me by email
I pay respects to the Gadigal, Bidiagal, and Birrabirragal people of the Eora Nation, traditional custodians of the land on which which I work and live. I'm proud to be among these people, part of the oldest continuous communities in the world.
© Ceinwen Berry 2026. All Rights Reserved. Built by Winston.
Contact me by email
I pay respects to the Gadigal, Bidiagal, and Birrabirragal people of the Eora Nation, traditional custodians of the land on which which I work and live. I'm proud to be among these people, part of the oldest continuous communities in the world.
© Ceinwen Berry 2026. All Rights Reserved. Built by Winston.